1. 貴的繁體字怎么寫
人間富貴花五字中能用繁體字寫的字有:間和貴兩字，余下的三字無(wú)繁體寫法，簡(jiǎn)改繁的具體書寫為:間字的門字旁在繁體寫作門，凡門字旁的字均要如此書寫，如們寫作們，閔字寫作閔，聞寫作聞，間應(yīng)寫作間。貴字的貝寫作貝.，如則寫則，貿(mào)寫貿(mào)一樣，貴寫作貴。人間富貴花繁體寫作人間富貴花。
2. 花開富貴的繁體字怎么寫
茶：chá?！安琛边@個(gè)字從來(lái)沒(méi)有簡(jiǎn)化過(guò)，因此不存在繁體和簡(jiǎn)體的差別。即“茶”的簡(jiǎn)體還是“茶”。茶：chá。茶原為中國(guó)南方的嘉木，茶葉作為一種著名的保健飲品，它是古代中國(guó)南方人民對(duì)中國(guó)飲食文化的貢獻(xiàn)，也是中國(guó)人民對(duì)世界飲食文化的貢獻(xiàn)。
三皇五帝時(shí)代的神農(nóng)有以茶解毒的故事流傳，黃帝則姓姬名荼，荼即古茶字。茶屬于山茶科，為常綠灌木或小喬木植物，植株高達(dá)1-6米。
茶樹喜歡濕潤(rùn)的氣候，在我國(guó)長(zhǎng)江流域以南地區(qū)有廣泛栽培。茶樹葉子制成茶葉，泡水后使用，有強(qiáng)心、利尿的功效。
茶樹種植3年就可以采葉子。一般清明前后采摘長(zhǎng)出4-5個(gè)葉的嫩芽，用這種嫩芽制作的茶葉質(zhì)量非常好，屬于茶中的珍品。茶與可可、咖啡并稱當(dāng)今世界的三大無(wú)酒精飲料，為世界三大飲料之首。無(wú)論國(guó)內(nèi)國(guó)外每天都有不計(jì)其數(shù)的人會(huì)飲茶。 1.基本茶類：包括綠茶、紅茶、烏龍茶、白茶、黃茶、黑茶。唐·陸羽《茶經(jīng)》：“茶之為飲，發(fā)乎神農(nóng)氏?！?/p>
在中國(guó)的文化發(fā)展史上，往往是把一切與農(nóng)業(yè)、與植物相關(guān)的事物起源最終都?xì)w結(jié)于神農(nóng)氏。而中國(guó)飲茶起源于神農(nóng)的說(shuō)法也因民間傳說(shuō)而衍生出不同的觀點(diǎn)。
有人認(rèn)為茶是神農(nóng)在野外以釜鍋煮水時(shí)，剛好有幾片葉子飄進(jìn)鍋中，煮好的水，其色微黃，喝入口中生津止渴、提神醒腦，以神農(nóng)過(guò)去嘗百草的經(jīng)驗(yàn)，判斷它是一種藥而發(fā)現(xiàn)的，這是有關(guān)中國(guó)飲茶起源最普遍的說(shuō)法。
另有說(shuō)法則是從語(yǔ)音上加以附會(huì)，說(shuō)是神農(nóng)有個(gè)水晶肚子，由外觀可得見(jiàn)食物在胃腸中蠕動(dòng)的情形，當(dāng)他嘗茶時(shí)，發(fā)現(xiàn)茶在肚內(nèi)到處流動(dòng)，查來(lái)查去，把腸胃洗滌得干干凈凈，因此神農(nóng)稱這種植物為“查”，再轉(zhuǎn)成“茶”字，而成為茶的起源3.功效分類：茶中含有的茶多酚，具有很強(qiáng)的抗氧化性和生理活性，是人體自由基的清除劑，可以阻斷亞硝酸胺等多種致癌物質(zhì)在體內(nèi)合成。
它還能吸收放射性物質(zhì)達(dá)到防輻射的效果，從而保護(hù)女性皮膚。
用茶葉洗臉，還能清除面部的油膩、收斂毛孔、減緩皮膚老化。
(1)花茶:散發(fā)積聚在人體內(nèi)的冬季寒邪、促進(jìn)體內(nèi)陽(yáng)氣生發(fā)，令人神清氣爽。
(2)綠茶:生津止渴，消食化痰，對(duì)口腔和輕度胃潰瘍有加速愈合。
(3)青茶:潤(rùn)膚、潤(rùn)喉、生津、清除體內(nèi)積熱，讓機(jī)體適應(yīng)自然環(huán)境變化的作用。
(4)紅茶:生熱曖腹，增強(qiáng)人體的抗寒能力，還可助消化，去油膩。
3. 貴繁體字怎么寫的楷書
【貴春燕】簽名可使用行書或者草書。
【貴春燕】一筆商務(wù)簽寫法 行書的特點(diǎn)： 行書是介于楷、草間的一種書體。寫得比較放縱流動(dòng)，近于草書的稱行草；寫得比較端正平穩(wěn)，近于楷書的稱行楷。在書寫過(guò)程中，筆毫的使轉(zhuǎn)，在點(diǎn)畫的各種形態(tài)上都表現(xiàn)得較為明顯，這種筆毫的運(yùn)動(dòng)往往在點(diǎn)畫之間，字與字之間留下了相互牽連，細(xì)若游絲的痕跡，這就是絲連。
4. 貴的繁體字怎么寫好看
貴在康熙字典的筆畫是：20畫五行屬金的。
貴：(7) 又如：貴寶(貴重的寶物)；貴獻(xiàn)(貴重的獻(xiàn)禮)；貴器(貴重的器皿。喻大器或高位)；貴珍(貴重的珍品)。
(8) 敬辭，尊稱與對(duì)方有關(guān)的事物時(shí)用。
(9) 又如：貴國(guó)；貴府；貴地；貴上下(詢問(wèn)對(duì)方姓名的敬辭)；貴上，對(duì)別人的仆役稱其主人的敬稱。
5. 貴的繁體字怎么寫多少畫
“華”的繁體字10劃。繁體字示例如下：
繁體字筆順：橫、豎、豎、橫、橫、豎、豎、橫、橫、豎
基本釋義：
[ huá ]
1.美麗而有光彩的：～麗?！G?！??！F?！?。～表（亦稱“桓表”）。～蓋。
2.精英：精～。含英咀（jǔ）～。
3.開花：～而不實(shí)。春～秋實(shí)。
4.繁盛：繁～。榮～富貴。
5.奢侈：浮～。奢～。
6.指中國(guó)或漢族：～夏。中～?！帷！校ㄈA夏的后裔；貴族的后裔）。～工。
7.敬辭，用于跟對(duì)方有關(guān)的事物：～翰（稱人書信）?！Q（稱人生日）?！樱ǚQ人住宅）。
8.頭發(fā)花白：～發(fā)（fà）?！崳ㄖ改昀希?。
9.指時(shí)光：年～。韶～。
6. 貴的繁體字怎么寫的多少筆
繁體字:萬(wàn)事和為貴。
萬(wàn)事和為貴意思就是和睦和諧,就是萬(wàn)物諧和人理暢通,就是一種人人各安其份、事事尊理而行的美度。
? ? ?就是要人和人之間的各種關(guān)系都能夠恰到好處,都能夠調(diào)解適當(dāng),使彼此都能融洽.孔子認(rèn)為,過(guò)去的明君圣王,在調(diào)正人和人關(guān)系中最重要的地方,就在于能使人們之間能夠根據(jù)禮的要求,作到和諧。
7. 貴的繁體字怎么寫毛筆字
以和為貴四字中能用繁體來(lái)寫的字有:為和貴二字，以與和無(wú)繁體寫法，具體書寫為:為字的繁體寫作為，正如偽寫作偽那樣，貴字下面的貝繁體寫作貝，如同貿(mào)字寫作貿(mào)，貫字寫作貫，員字寫作員，貞字寫作負(fù)一樣，貴應(yīng)寫作貴。因此，以和為貴的繁體寫作:以和為貴。
8. 貴的繁體字怎么寫書法
貴的偏旁是“貝”加部首：遺 潰 饋 繢 匱 憒 蕢 簣 聵 阓 瞆 ?拼音：guì釋義：
1.價(jià)錢高，與“賤”相對(duì)：～賤（a．價(jià)格的高低；b．指人的地位高低；c．方言，無(wú)論如何）。春雨～如油。
2.指地位高：～族?！??！ㄗ鹳F的門第和聲望）。
3.敬辭，稱與對(duì)方有關(guān)的事物：～國(guó)。～庚（請(qǐng)問(wèn)別人年齡）?！?。～干（gàn）（問(wèn)人要做什么）。
4.特別好的，重要的：～重（zhòng）。珍～。尊～。民為～。
5.值得看重，重視：可～。
6.指中國(guó)貴州?。涸啤咴?。
7.姓。用貴造句：造句1、他送給我的生日禮物并不昂貴，但卻代表了他真誠(chéng)的祝福。2、為了事業(yè)，他付出了昂貴的代價(jià)。3、他為自己的過(guò)錯(cuò)付出了昂貴的代價(jià)。4、這款首飾價(jià)錢昂貴，不是普通人買得起的。5、那件上衣很合身，只是價(jià)格昂貴了點(diǎn)。6、這件實(shí)驗(yàn)儀器非常昂貴，用時(shí)一定要小心翼翼，輕拿輕放，以免損壞。7、這件實(shí)驗(yàn)儀器非常精密昂貴，用時(shí)一定要小心翼翼，輕拿輕放，以免損壞。8、這種測(cè)定儀器十分昂貴。9、進(jìn)口零件價(jià)格昂貴，如果用國(guó)產(chǎn)零件取而代之，那就可以節(jié)省一大筆外匯。10、她佩戴的首飾昂貴極了。11、這件雕刻藝術(shù)品，手工精美，小巧玲瓏，我想價(jià)錢一定很昂貴。12、衰退時(shí)，房屋空置率上升，租金收入停滯不前或下降，融資也更為昂貴，并且不易獲得展期。13、降低生產(chǎn)成本意味著可以更容易更廉價(jià)的制造商業(yè)名片，某些希望鶴立雞群的領(lǐng)先公司，對(duì)名片進(jìn)行了設(shè)計(jì)和材料方面的創(chuàng)新優(yōu)化，使用了諸如金屬鋁或塑料等以往非常昂貴的材料。
9. 貴的繁體字怎么寫圖片
“貴”的繁體字為“貴”。
[貴] guì
部首為“貝”，筆畫數(shù)9，上下結(jié)構(gòu)。
①本義：價(jià)格高；價(jià)值大(跟“賤”相對(duì))
②評(píng)價(jià)高；值得珍視或重視，如“寶貴”、“可貴”。
③以某種情況為可貴，如“人貴有自知之明”。
④地位優(yōu)越(與“賤”相對(duì))，如“貴族”、“貴婦”、“達(dá)官貴人”。
⑤敬辭；稱與對(duì)方有關(guān)的事物，如“貴姓”、“貴國(guó)”、“貴司”。
⑥姓氏。
貴從貝，而貝即貝殼，早先作為貨幣用來(lái)購(gòu)買商品，所以其本義為價(jià)格高。
10. 貴的繁體字怎么寫的
“貴”字沒(méi)有大寫，只有繁體字為‘貴’。
大寫有兩種意思：一是指拼音文字中字母的一種寫法，如a的大寫是A；二是指漢字?jǐn)?shù)目字的一種筆畫較多的寫法，如一的大寫是壹。
貴，讀音：【guì】
基本釋義：價(jià)錢高，與“賤”相對(duì)；地位高；敬辭，稱與對(duì)方有關(guān)的事物；特別好的，重要的；值得看重，重視；指中國(guó)貴州?。恍帐?。
組詞：
1、高貴[ gāo guì ]
指人物品行、地位、思想等各方面的出眾品質(zhì)。
2、寶貴[ bǎo guì ]
有價(jià)值，不易得；珍貴，重視，珍視 。
3、可貴[ kě guì ]
值得珍視。
4、華貴 [ huá guì ]
以富裕、豪華和極豐富為特征的；華麗珍貴的 。
5、新貴[ xīn guì ]
新近作高官的人；新的貴族。
11. 貴繁體字怎么寫田字格
行楷又稱“漢字行楷手寫體字形”，是偏重于楷書書寫筆法，比楷書行筆自由，又比行草規(guī)正的行書字體。是漢字在楷書基礎(chǔ)上簡(jiǎn)約書寫筆畫、增強(qiáng)書寫映帶、表現(xiàn)書寫意趣的實(shí)用性字體。行楷最大的優(yōu)勢(shì)在于實(shí)用性極強(qiáng)，書寫速度快、易識(shí)易學(xué)。
行楷特點(diǎn)
行筆輕盈
書寫楷書，運(yùn)筆穩(wěn)實(shí)、緩慢，筆畫講究工整、挺健。書寫行楷，運(yùn)筆輕松、便捷，線條追求流暢、明快。
點(diǎn)畫靈動(dòng)
書寫楷書，筆畫造型完整，點(diǎn)畫之間呼應(yīng)關(guān)系含蓄。書寫行楷，點(diǎn)畫活潑，連帶顯露，點(diǎn)、鉤、挑等動(dòng)感筆畫明顯增多。
字形多變
楷書的字形平正端莊，通篇整齊均勻，相映如一。行楷字的字形變化多姿，通篇大小相間，正敧相錯(cuò)，同一個(gè)字可以有多種寫法。
硬筆行楷
姿勢(shì)
坐姿
推薦的坐姿：頭正、肩平、臂開、足安；眼離紙一尺高，手離筆尖一寸長(zhǎng)，胸離桌子拳頭，推薦坐姿如下圖。
握姿
推薦的握姿：拇指、食指捏住筆，中指抵住筆桿底；余下兩指緊相依，指離筆尖一寸余；五指配合齊用力，不松不緊最適宜，推薦握姿如下圖。
工具
選筆
1、鋼筆
鋼筆的地位在硬筆練字中處于不可撼動(dòng)的地位，較強(qiáng)表現(xiàn)力可以反映出毛筆的效果。關(guān)于練習(xí)鋼筆的選擇，我們可以遵從以下原則：
（1）不使用美工筆。美工筆不利于穩(wěn)定練習(xí)；
（2）不使用寫起來(lái)不適的鋼筆。比如出現(xiàn)堵筆、洇墨、摩阻過(guò)大等問(wèn)題；
（3）不使用過(guò)貴的鋼筆。在成本練字的過(guò)程相對(duì)耗筆，盡量做到成本控制，貴的筆對(duì)練字本身沒(méi)有太實(shí)質(zhì)性的幫助。
中性筆
中性筆有穩(wěn)定、表現(xiàn)力強(qiáng)、便宜、便捷、書寫舒適等優(yōu)點(diǎn)，是一種相對(duì)完美的筆。不止在此次行楷練習(xí)試驗(yàn)中，日常生活中，大多數(shù)人更愿意使用0.5中性筆。
中性筆的挑選可以遵從如下原則：
（1）書寫流度。筆觸順骨，筆畫飽滿，墨色均勻；
（2）握筆舒適度。長(zhǎng)時(shí)間書寫不會(huì)有過(guò)于明顯累手、壓迫感；
（3）墨干燥速度。書寫時(shí)不會(huì)被譜黑就行。
3、其他筆
除了鋼筆和中性筆，其他筆類都可以進(jìn)行練字。種類繁多，最為常見(jiàn)的有鉛筆，圓珠筆等。不一定局限于某種筆。
字帖
分類
字帖大體可分為三類：（1）筆畫結(jié)構(gòu)詳解類（2）集字類（3）語(yǔ)錄文章類。初學(xué)者可以購(gòu)入三類字帖分別一本，有一定基礎(chǔ)者可以購(gòu)入后兩類字帖各一本，基礎(chǔ)扎實(shí)者可購(gòu)最后一類字帖。行楷定型試驗(yàn)于2019年6月10日啟動(dòng)，2019年10月24日初步定型，所用字帖為荊霄鵬的《實(shí)用行楷字帖》（圖1)、《林徽因語(yǔ)錄行楷》（圖2)?！秾?shí)用行楷字帖》屬于集字類，《林徽因語(yǔ)錄行楷》屬于語(yǔ)錄文章類。
圖1
圖2
推薦字帖
當(dāng)代有大量?jī)?yōu)秀行楷字帖，比如吳玉生、田英章、錢沛云等人的行（楷）字帖。
昊玉生的行楷字站：《怎樣寫好寫快規(guī)范字》《公務(wù)員漢字書寫5500字》、《古文觀止》、《硬筆行書紅樓夢(mèng)詩(shī)詞》等。
田英章的行（楷）字帖：《鋼筆行書實(shí)用技法字帖》、《漂亮字的快寫技巧（行書）》、《現(xiàn)代漢語(yǔ)常用3500字（行書）》等。
錢沛云的行（楷）字帖：《錢沛云硬筆書法技巧》《錢市云教你寫好硬筆行書》等。
對(duì)于字站的選擇需要根據(jù)自己的喜好，但是也要避雷。
選擇字帖三不選：不選折凹槽類字帖；不選手寫體類字帖；不選大幅度描紅類字帖。
紙
練習(xí)紙種類繁多，常見(jiàn)的有回宮格、米字格、田字格、空白格、橫線格、豎線格等等，練習(xí)紙的選擇也需依據(jù)自己的基礎(chǔ)，初學(xué)盡量選擇輔助線多的回宮格、米字格等，隨著階段的變化，練習(xí)紙也應(yīng)該有所改變以減少輔助，達(dá)到科學(xué)練習(xí)的目的。按時(shí)間順序，不止使用了米字格紙、田字格紙、空白格紙、橫線紙、豎線紙、白紙。
重點(diǎn)：從脫離米字格到白紙，練字整個(gè)過(guò)程都貫穿著田字格紙的鞏固練習(xí)，不屬于完全轉(zhuǎn)換狀態(tài)。
另外，有以下幾個(gè)點(diǎn)可以注意：
（1）當(dāng)沒(méi)有問(wèn)題的筆墨寫在紙上產(chǎn)生洇墨、阻力大等類問(wèn)題，建議換紙。
（2）不要使用線格過(guò)小的紙，選擇寫起來(lái)有種自然舒適狀態(tài)的紙。
（3）不要刻意追求“好”紙，硬筆行楷的練習(xí)對(duì)紙的要求較低。
練字內(nèi)容
從欣賞一幅書法作品的角度，至少會(huì)從章法、結(jié)構(gòu)、筆畫（劃）三方面進(jìn)行解讀，這三方面即是要練字的內(nèi)容。
章法
章法是安排布置整幅作品中，字與字、行與行之間呼應(yīng)、照顧等關(guān)系的方法，它著重于字與字之間、行與行之間的協(xié)調(diào)。章法包含著字形大小、字距遠(yuǎn)近、字態(tài)正奇、黑白分布、落款鈴印等，利用這些手段可以使眾多單字在特定的風(fēng)格下形成一種和諧穩(wěn)定美觀又不失趣味的作品。
結(jié)構(gòu)
結(jié)構(gòu)是字內(nèi)各筆畫長(zhǎng)短、粗細(xì)、疏密、布局等。漢字從結(jié)構(gòu)上分有獨(dú)體字與合體字兩大類。從結(jié)構(gòu)形式看，合體字分為七種，即上下結(jié)構(gòu)、上中下結(jié)構(gòu)、左右結(jié)構(gòu)、左中右結(jié)構(gòu)、半包圍結(jié)構(gòu)、全包圍結(jié)構(gòu)和品字形結(jié)構(gòu)，巧妙地組織筆畫讓筆畫布局合理，傳達(dá)的視覺(jué)效果越好。
筆畫（劃）
永字反映出了“點(diǎn)、橫、豎、撇、捺、提、折、鉤”八個(gè)基本筆畫。筆尖與紙面接觸的痕跡，反映出筆畫力度、角度、粗細(xì)、曲直等。筆畫作為練字的起點(diǎn)，是最基礎(chǔ)也是最核心的，務(wù)必加倍重視。
練字方式
臨摹字帖是當(dāng)下練字最有效的途徑，但是部分人在臨摹之前往往忽略了一個(gè)前提：讀帖。將練字方法分解為三個(gè)部分：讀帖、摹寫、臨寫。
讀帖
讀帖需要分析字帖范字的筆畫、結(jié)構(gòu)、章法。讀帖是一個(gè)發(fā)揮主觀能動(dòng)性的過(guò)程，初步練習(xí)時(shí)應(yīng)更多的注重筆畫的長(zhǎng)短、粗細(xì)、徐疾、輕重，筆畫之間的俯仰、向背、離合、呼應(yīng)，字的大小、方圓、高矮、寬窄等等。仔細(xì)領(lǐng)會(huì)字帖的點(diǎn)畫形質(zhì)、間架結(jié)構(gòu)、氣韻神采，才能下筆準(zhǔn)確。對(duì)同一字帖而言，應(yīng)從其點(diǎn)畫開始，觀察其起筆、行筆、收筆如何完成以及同一類筆畫之間的細(xì)小差別等，再到觀察毎個(gè)字的間架結(jié)構(gòu)、位置布局和章法，最后則是體味字站的氣韻神采、風(fēng)格特點(diǎn)，為準(zhǔn)確地臨寫做好準(zhǔn)備。對(duì)不同字帖而言，就比如不止選擇的兩本字帖，往往起到一個(gè)相輔相成的作用，為了解一個(gè)字體作好充分的準(zhǔn)備。經(jīng)過(guò)觀察，不止使用的行楷字帖，不像古帖變化較多，容易學(xué)習(xí)，方便掌握。
摹寫
市面上流通的大多數(shù)摹寫字帖采用透明度較高的硫酸紙覆蓋在字帖上，按照影子描寫（或者貓紅）。當(dāng)你開始使用摹寫時(shí)前也要詳細(xì)的讀帖，做到心中有數(shù)。摹寫過(guò)程中，盡量與原帖的用筆一致，單字書寫一氣呵成，不可存在?筆填筆等問(wèn)題。摹寫有利有弊，不止認(rèn)為摹寫存在降低主觀能動(dòng)性的嫌疑，故整個(gè)練字試驗(yàn)過(guò)程都沒(méi)有使用摹寫。
臨寫
臨寫根據(jù)要求的不同可分為對(duì)臨、背臨和意臨。
1、對(duì)臨
可將字帖置于視角左側(cè)或前端，便于準(zhǔn)確觀察。隨著練字形式的多樣化，對(duì)臨時(shí)關(guān)于字帖的擺放只要適用于自己即可，可通過(guò)裁剪字帖放大觀察范圍，不必拘泥形式?；谧x帖，寫完后再將自己寫的與字帖仔細(xì)對(duì)照分析，找到不足做出標(biāo)記，再次臨寫，循環(huán)練習(xí)直到與字帖的字高度相以。臨寫時(shí)不可看一筆寫一筆。
2、背臨
在讀帖，摹寫，對(duì)臨這些過(guò)程中，應(yīng)當(dāng)有所思索、有所比較、有所記憶，將字帖熟記于心，合帖臨寫，通過(guò)背臨這種方式來(lái)檢驗(yàn)自己是否熟練，這種方式就好比背語(yǔ)文課文，作為一種檢查手段的同時(shí)，也是在鞏固字體的練習(xí)，以形成記憶模式，達(dá)到一種出筆即像的境界。有部分練習(xí)者對(duì)照字帖能寫得很好，一旦離開字站，不管是字形還是結(jié)構(gòu)都降了層次，這就是因?yàn)闆](méi)有使用好背臨這一招。學(xué)習(xí)一個(gè)字體最后目的就是要將帖上字化為已用，想要到達(dá)這一目的，背臨是必經(jīng)的過(guò)程。背臨還有兩種形式：空背臨和心背臨。由于這兩種方式不存在使用工具、時(shí)間、環(huán)境等的要求，完全可以利用碎片時(shí)間進(jìn)行練習(xí)與鞏固?？毡撑R可用手指、木棍等工具在空中、地上或身上，通過(guò)記憶比照字帖寫。心背臨即在心里描摹字帖，在腦中再現(xiàn)每一筆每一畫，這種方式適合睡覺(jué)前時(shí)用。
3、意臨
在臨寫時(shí)注入了自己的主觀意識(shí)，意臨是由臨摹過(guò)渡到創(chuàng)作的必經(jīng)之路。諸多初學(xué)者存在一個(gè)問(wèn)題：練字時(shí)喜歡摻雜自己的意識(shí)，這是一種正常的現(xiàn)象，但是也是要趁早正視解決的問(wèn)題，到達(dá)意臨這個(gè)階段才開始融入主觀思維，切不可過(guò)早摻入。意臨可從為兩種，第一種是在原帖字體風(fēng)格的基礎(chǔ)上，使用自己的筆法或結(jié)體特征來(lái)表現(xiàn)；第二種是在自己字體風(fēng)格的基礎(chǔ)上，使用原站的筆法和結(jié)體特征來(lái)適應(yīng)自己的“意”。
注意事項(xiàng)
三種練字方法的合理利用才能在練字過(guò)程取得一個(gè)不錯(cuò)的效率，需要我們注意如下幾點(diǎn)：
1、多臨少摹
不止在為期四個(gè)多月的練習(xí)期間不采用摹寫是因?yàn)榻档土酥饔^能動(dòng)性。將摹寫與臨寫進(jìn)行有機(jī)結(jié)合，以臨寫為主、摹寫為輔的方式取長(zhǎng)補(bǔ)短，未必不是一種好的方法。
2、循序漸進(jìn)
一般而言，從摹寫到臨寫，各項(xiàng)練習(xí)方法應(yīng)當(dāng)有效穿插，相互作為輔助關(guān)系。
3、先專后博
比如不止選擇的兩本字帖，先《實(shí)用行楷字帖》，后《林?jǐn)?shù)因語(yǔ)錄行楷》，兩本字帖雖然都是荊香鵬的字，但有差別。先打好基礎(chǔ)，解決好筆畫結(jié)構(gòu)，再進(jìn)入長(zhǎng)篇幅的練習(xí)。同時(shí)也可以找書家其他字帖，進(jìn)行廣泛吸收。
4、點(diǎn)面結(jié)合
在練習(xí)前期，筆畫與結(jié)構(gòu)的練習(xí)往往是結(jié)合在一起。由于諸多現(xiàn)代字帖制作是由字體庫(kù)生成，相同的字沒(méi)有變化，極有利于練習(xí)（也有弊端，不夠靈動(dòng)）。練習(xí)中后期，筆畫、結(jié)構(gòu)、章法相互穿插練習(xí)，可以進(jìn)行通臨，形成面到點(diǎn)，點(diǎn)到面的良性循環(huán)。
5、講究實(shí)效
練字不是抄字，做事要做有用功，每一筆、每一字都需要精益求精，不求數(shù)量求質(zhì)量。當(dāng)今生活節(jié)奏過(guò)快，部分人練習(xí)時(shí)總想急于求成，練字不是一朝一夕的事，講究效率的同時(shí)也要注重堅(jiān)持。
行楷技巧
連寫筆畫
寫行楷書，往往將相鄰的筆畫連寫，以方便書寫。
引用草書
為增強(qiáng)行書的流動(dòng)筆意，注重牽絲連帶，調(diào)節(jié)行氣，也可以把人們比較熟悉的草字直接串寫在行楷書中。
簡(jiǎn)化字形
行楷書書寫時(shí)，由于連寫筆畫，可以適當(dāng)減少筆畫數(shù)、簡(jiǎn)化了字形，使書寫更加便捷。
改變筆順
行楷書為了連寫方便，有一些字改變了楷書的筆畫順序?？傮w上要保證美感，章法布局上要講究錯(cuò)落有致，空間布白。
略帶斜勢(shì)
行楷書在書寫時(shí)，為行筆連帶方便，橫可以大幅度上斜，字形略帶斜勢(shì)，自成新的體勢(shì)。
大小相間
行楷書在排行書寫時(shí)，字形大小，隨其自然，大小相間，使行氣更加流暢自然。
章法布局排列
字的大小講究有大有小，錯(cuò)落有致，相得益彰，這樣能夠使整體更加美觀大方。
規(guī)律技巧
左短右長(zhǎng)
是指左部偏旁較右部要短、而且小。書寫時(shí)，左部要寫小、并略靠上一些，為右部寫寬長(zhǎng)一些留出位置。這類字的右部往往有撇畫向左部的下方伸展，要恰到好處，不能伸的太長(zhǎng)。比如：聽(tīng)、作、觀等。
左高右低
點(diǎn)豎對(duì)正
指在一個(gè)字中，有上下兩個(gè)中豎者，兩個(gè)中豎應(yīng)當(dāng)垂直對(duì)正。豎能對(duì)正，則字身不倒。在許多字中，中豎決定字的重心，安放位置對(duì)與錯(cuò)就決定了這個(gè)字的好壞。
左斜右正
凡左右結(jié)構(gòu)者，以左斜右正者居多，左斜為呼，右正為應(yīng)，有呼無(wú)應(yīng)，字勢(shì)必殤，有應(yīng)無(wú)呼，無(wú)源之水，均不能立，呼者以斜而取勢(shì)，應(yīng)者以平而安神，呈左動(dòng)而右穩(wěn)，書呼疾而應(yīng)遲。
左寬右窄
撇捺不相連
上展下收
橫長(zhǎng)撇短
上緊下松
書寫要點(diǎn)
行楷入門，以吳玉生行楷字為例。
常用字“大”字雖然筆畫簡(jiǎn)單，但并不好寫，眼睛一看就會(huì)，但是寫出來(lái)總覺(jué)得姿態(tài)別扭。
為了方便記憶，下面我把“大”字書寫要點(diǎn)歸結(jié)為“3直1彎”。
①橫畫要直，用中橫，要果斷，粗壯有力，不宜帶弧度；
②豎撇豎要直；
③捺畫前半段要直；
④豎撇跨過(guò)橫畫之后，急轉(zhuǎn)彎，弧度非常大。
毛筆行楷
姿勢(shì)
坐姿
寫毛筆字以坐姿為主。一則練二三寸大楷字無(wú)須站立，坐著寫就行了；二則坐著省力又利于凝神聚氣，注意力容易集中。主張寫二三寸大楷模也要用立姿的主要原因是為了練習(xí)懸肘，其實(shí)坐著寫也照樣可以用懸肘法，關(guān)鍵是方法要正確。正確的坐姿應(yīng)該是頭正、身直、臂開、足安”（見(jiàn)圖下)。
頭正：指書寫時(shí)頭要擺正，不可偏側(cè)。
身直：指身體要平正、坐直，兩肩齊平，當(dāng)然直立不是要昂首挺胸，而應(yīng)該肩背放松，自然下沉，身子略向前傾，胸口與桌面保持一多的間隔，切忌彎腰駝背，甚至將下巴枕靠在左手背上。
臂開：指手臂要往前伸開些，同時(shí)兩臂的肘關(guān)節(jié)也要向左右撐開，兩邊基本勻稱。
足安：是指兩只腳自然地平穩(wěn)著地，兩腿左右略微分開，其位置與肩寬基本相等，肌肉放松。
站姿
站著寫毛筆字身子可略往前傾，頭部正直稍微有些下俯，左手掌按住桌面上的紙，右手近于伸直，執(zhí)筆的姿勢(shì)也要隨著站立而改變，手享下覆，手背與手臂幾乎成一平面。兩腳分開站穩(wěn)，雙足之間的距離與肩寬大致相等。書寫時(shí)用手腕、手臂的運(yùn)動(dòng)來(lái)完成；如果寫特別大的字，甚至要用腰部的運(yùn)動(dòng)來(lái)書寫，兩腳可再分開些，使書寫動(dòng)作可大一些。執(zhí)筆方法也應(yīng)隨之而變化。
工具
選筆
毛筆
不同階段，不同水平，學(xué)習(xí)不同的書體，練習(xí)大小不同的字，對(duì)應(yīng)的毛筆也是不同的。
推薦實(shí)體店購(gòu)買，而非網(wǎng)店購(gòu)買。網(wǎng)店上的東西看不清摸不著，僅能通過(guò)幾張圖片來(lái)判斷，這種判斷方法很難看的真切，因此很多人發(fā)現(xiàn)上了當(dāng)。而在實(shí)體店可以好好觀察，也可以根據(jù)不同的價(jià)格的毛筆進(jìn)行一個(gè)對(duì)比，從而擇優(yōu)購(gòu)買，有問(wèn)題也能在現(xiàn)場(chǎng)發(fā)現(xiàn)。
用筆最好還是選擇品牌筆，價(jià)格雖是稍高點(diǎn)，但質(zhì)量比較可靠，包括用料和工藝。
范本
平時(shí)多看名帖、看書法展、看名家揮毫。從好作品中汲取養(yǎng)分。推薦的以下范本。
書寫原則
1、線條堅(jiān)而渾——激情原自線條的熟練。線是力和勢(shì)的組合，行筆要沉著痛快，做到穩(wěn)健、輕便，重筆勢(shì)(即趨向)，根據(jù)字形大小排字的走向，線條斜勢(shì)，整體縱向走勢(shì)。
2、結(jié)體奇而穩(wěn)——注意重心。欹側(cè)、擒縱、疏密、高低。
3、章法變而貫——竹節(jié)式(幾個(gè)字一節(jié))節(jié)數(shù)間有空隙;貫珠式(中心線);蛇行式(左右擺動(dòng));疏影式(疏疏朗朗)。
布局要點(diǎn)
1、一字不能成行。
2、字與字之間有呼應(yīng)，上承下啟，左映右?guī)В芯嗪妥志嗖荒芟嗟?。書眼放中央，可大些，字與周邊氣貫。
3、整體上展出適合墨跡濃重的作品。掛家中適合疏淡的作品。
4、作品中不能有錯(cuò)別字，異體字不過(guò)于冷僻。
5、作品整體布局上面重下面輕。
6、評(píng)作品好壞主要看總體視覺(jué)效果：節(jié)奏、墨色、用筆。
7、三三兩兩，似散還續(xù)，氣脈一貫，此布局之妙也。
書寫技巧
行楷的連帶
筆畫連帶是行楷書的核心，唯有連帶，方能提高書寫速度。除了一般上下筆劃之間的連帶之外，還有一些特殊的連帶。
1、改變筆順。如分、交、布、必、巨、王等字，筆順改變后，連帶順暢，書寫便利。
2、筆畫合并。如頁(yè)、吊、此、高、非等字，筆畫合并后，兩筆并作一筆，使得上下連貫?！ ?、筆畫省略。如即、動(dòng)、蜂、齡、它等字的點(diǎn)、小豎、短撇等次要筆畫，為了不妨礙連筆，就省略掉了，雖然省略了，但是仍易于辨認(rèn)。
4、筆畫替代。如風(fēng)、喜、基、具、常、王、能、可等字，這寫字大都采取了描摹輪廓的方式來(lái)寫，用象形筆法勾勒出來(lái)，由于約定俗成，已被大家所接受。
要練好行楷，關(guān)鍵要仔細(xì)觀察字的行筆路線，注意上下銜接，突出主要筆畫，減少對(duì)筆畫的修飾，盡量一氣呵成，使字渾然一體。由于書寫點(diǎn)畫簡(jiǎn)略，隨意自然，行楷給人們以輕松愉快的感覺(jué)。
書寫特點(diǎn)
行楷的書寫特點(diǎn)是連、變、省，其筆畫比正楷字的筆畫自由，用筆方法也有許多變化。下面我們逐一介紹行楷的基本筆畫。
行楷的點(diǎn)畫
行楷畫卷頭尖、腹平、背圓、尾滿，前后顧盼。點(diǎn)畫都與字的中心呼應(yīng)。下面是行楷字點(diǎn)畫的主要寫法：
行楷的橫畫
行楷字橫畫多數(shù)帶鉤，與前后筆畫呼應(yīng)或者連接，有長(zhǎng)短、精細(xì)、俯仰等變化，如果數(shù)橫并列，要有長(zhǎng)短參差，筆勢(shì)也要有區(qū)別。橫畫在字中往往起平衡作用，因此書寫時(shí)要注意長(zhǎng)短、角度和曲弧。
行楷的豎畫
行楷字寫豎畫不宜太直硬，要適當(dāng)取斜勢(shì)或彎曲，收筆有懸針，有垂露，有帶鉤，有彎弧，但必須把力用到筆端，切忌軟散。字中的長(zhǎng)豎作適當(dāng)夸張。
行楷的撇畫
行楷字的撇有多種姿態(tài)，要注意長(zhǎng)短、曲直的變化，書寫時(shí)常?；劁h，做到伸縮有度，與捺相配時(shí)要有變化，不能呆板。
行楷的捺畫
捺多用在字的右部或者右下角的末筆，有時(shí)寫成反捺或長(zhǎng)點(diǎn)出鋒，但要注意帶曲，回鋒的方向要有變化。
行楷的提畫
提又稱挑，常在左右結(jié)構(gòu)字左旁的末筆，與右半邊聯(lián)系。寫提筆要快而有勁
行楷的折畫
行楷字的折畫有圓有方，圓轉(zhuǎn)多于方折，圓度要潤(rùn)，方折要頓。
行楷的鉤畫
行楷字的鉤畫多變并適度夸張。有些字本來(lái)沒(méi)有鉤，可以加鉤起連帶作用，但要生動(dòng)求變，飽滿有勁，切忌軟弱、尖細(xì)。
書寫關(guān)鍵
八面出鋒
借助于八面出鋒，自然顯出墨色濃淡，濕中有干，干中有濕，濃中有淡，淡中有濃，變化千萬(wàn)，使作品富有節(jié)奏感。
剛?cè)嵯酀?jì)
剛力—鐵劃銀鉤(粗)：柔力—行云流水(細(xì))。
惜墨如金
要求蘸一次墨寫一個(gè)字，甚至數(shù)字。
豁然開朗
留白處有寬有窄，寬處給人以忽然開朗之感。藝術(shù)是制造矛盾，到解決矛盾的過(guò)程。
中側(cè)并用
中鋒得法立骨，側(cè)鋒得勢(shì)求變。中鋒是理性的要求，是書法審美的核心所在；側(cè)鋒是情性的化身，是書法通神的手段。
深思熟慮
創(chuàng)作前要深思熟慮，反復(fù)推敲，做到“胸有成竹”。
一氣呵成
書法是感情的流露，不是技巧的表現(xiàn)，要在身體與心情皆好的狀態(tài)下寫字。書寫時(shí)隨意揮灑，一氣呵成。
錯(cuò)落有致
一般情況下，作品的行距要寬，字距要緊。字忌并列，要錯(cuò)開。節(jié)數(shù)間有空隙，排列組合要有節(jié)奏，大小字參差，突出中間書眼。
筆情墨趣
書法是無(wú)聲的音樂(lè)，無(wú)形的舞蹈。求變化中有呼應(yīng)，使整體和諧，有強(qiáng)烈的節(jié)奏和視覺(jué)沖擊力。用好拙筆，用筆略慢，動(dòng)中有靜，寫出墨趣。
重視貫氣
書法的氣，是指點(diǎn)劃與不同字之間的呼應(yīng)，字與字之間的趨向。
書寫方法
讀帖
要練眼，即認(rèn)真讀帖。讀帖是基礎(chǔ)，要仔細(xì)觀察字在方格中的高低位置、筆畫的連貫映帶、疏密和長(zhǎng)短等，眼高是手高的前提，對(duì)字形要善于觀察、分析和比較，大致相同的字合成一類，舉一反三，達(dá)到事半功倍的效果。
練腦
要練腦或說(shuō)練心。在細(xì)心觀察的基礎(chǔ)上，要把示范字牢牢地記在心里，只有把字形象記英語(yǔ)單詞、背數(shù)學(xué)公式那樣爛熟于心，深深地刻在大腦里，才能熟練運(yùn)用。無(wú)論何時(shí)，一旦提到這個(gè)字，馬上就能想出這個(gè)字在字帖上的形狀，做到胸有成帖，腦有成字。
練手
練眼和練腦是為了搞清字該怎樣寫，心中能想出字的最好效果，手下卻不一定能寫出來(lái)，因?yàn)槟X不一定能指揮得了手，手不一定能指揮得了筆。練手就是要達(dá)到心手一致、手筆一致的境界，所以練手也是至關(guān)重要的。練手主要是練指力、練腕力、練手感。
練結(jié)構(gòu)
要寫好行楷，結(jié)構(gòu)的練習(xí)重于筆畫的練習(xí)。字的結(jié)構(gòu)是指字的筆畫的長(zhǎng)短比例及筆畫間的穿插避讓關(guān)系。要掌握漢字的結(jié)構(gòu)，大家可以寫寫黑體字，通過(guò)這種字體把結(jié)構(gòu)進(jìn)行校正，然后加以變化，寫其他的字體也就容易一些。
%3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"行楷又稱“漢字行楷手寫體字形”，是偏重于楷書書寫筆法，比楷書行筆自由，又比行草規(guī)正的行書字體。是漢字在楷書基礎(chǔ)上簡(jiǎn)約書寫筆畫、增強(qiáng)書寫映帶、表現(xiàn)書寫意趣的實(shí)用性字體。行楷最大的優(yōu)勢(shì)在于實(shí)用性極強(qiáng)，書寫速度快、易識(shí)易學(xué)。","id":""}],"text":"","id":"doxcnIcYsIAc6q8UAHoupFfA6Jv"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"行楷特點(diǎn)","id":""}],"text":"","id":"doxcnYaukOIYUqu4uirDWImLVhI"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"行筆輕盈","id":""}],"text":"","id":"doxcnUAAg4qCUSo6KGuqFDmvpHf"},{"type":"paragraph","children":[{"type":"text","text":"書寫楷書，運(yùn)筆穩(wěn)實(shí)、緩慢，筆畫講究工整、挺健。書寫行楷，運(yùn)筆輕松、便捷，線條追求流暢、明快。","id":""}],"text":"","id":"doxcnCcIycGWM0kCICoARw4h31d"},{"type":"image","attrs":{"height":360,"note":[{"type":"text","text":"行筆輕盈","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/07aa7d0ff2be4e8585dc8f7287a33c88","width":366},"text":"","id":"doxcn6eaIKe6qku4eQygEUM7n3y"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"點(diǎn)畫靈動(dòng)","id":""}],"text":"","id":"doxcnC4Kq6GGeMC4MyScd0OabDe"},{"type":"paragraph","children":[{"type":"text","text":"書寫楷書，筆畫造型完整，點(diǎn)畫之間呼應(yīng)關(guān)系含蓄。書寫行楷，點(diǎn)畫活潑，連帶顯露，點(diǎn)、鉤、挑等動(dòng)感筆畫明顯增多。","id":""}],"text":"","id":"doxcn2EEM4UIOggMSo7KjntZCAh"},{"type":"image","attrs":{"height":358,"note":[{"type":"text","text":"點(diǎn)畫靈動(dòng)","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/37d3a92a963c4e908f3f31e1a7a3a649","width":372},"text":"","id":"doxcnqC8oAwiiumKUstBwpBAjpc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"字形多變","id":""}],"text":"","id":"doxcnC82UOSaoAq8GG4UbvbUo1d"},{"type":"paragraph","children":[{"type":"text","text":"楷書的字形平正端莊，通篇整齊均勻，相映如一。行楷字的字形變化多姿，通篇大小相間，正敧相錯(cuò)，同一個(gè)字可以有多種寫法。","id":""}],"text":"","id":"doxcn2iekUmMgo6SoiiSs7V6a1b"},{"type":"image","attrs":{"height":436,"note":[{"type":"text","text":"字形多變","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/b53a66166e1243ab8eea03c77eef8915","width":431},"text":"","id":"doxcnAYAgCE6gSM4g1SmRmWs7Qz"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"硬筆行楷","id":""}],"text":"","id":"doxcn8oSKw6Oa06U2gVS19IetNg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"姿勢(shì)","id":""}],"text":"","id":"doxcn08qmQYAGsSkyOI8DWpi9Nc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"坐姿","id":""}],"text":"","id":"doxcnciMciCmG8IcCEjBHGJk0Qh"},{"type":"paragraph","children":[{"type":"text","text":"推薦的坐姿：頭正、肩平、臂開、足安；眼離紙一尺高，手離筆尖一寸長(zhǎng)，胸離桌子拳頭，推薦坐姿如下圖。","id":""}],"text":"","id":"doxcnKokEyOQEISoEwPbLbaS4id"},{"type":"image","attrs":{"height":269,"note":[{"type":"text","text":"坐姿","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/2518cd45688c4c88b6ad0dc26fa83e68","width":249},"text":"","id":"doxcnS4soUKQwKyCCofbdKxjsEh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"握姿","id":""}],"text":"","id":"doxcnQgsMwykeKq0umedSoMmVrh"},{"type":"paragraph","children":[{"type":"text","text":"推薦的握姿：拇指、食指捏住筆，中指抵住筆桿底；余下兩指緊相依，指離筆尖一寸余；五指配合齊用力，不松不緊最適宜，推薦握姿如下圖。","id":""}],"text":"","id":"doxcnssCokGGekg8G0UAgW0iUxh"},{"type":"image","attrs":{"height":181,"note":[{"type":"text","text":"握姿","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/f6ecdf5dcd674c09844ac3b09d317014","width":260},"text":"","id":"doxcnGYuiweyaGmqkWfgdUpbvhb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"工具","id":""}],"text":"","id":"doxcn4IQSKyg8eYQ8esyWOtcVuc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"選筆","id":""}],"text":"","id":"doxcnYoWqeCaqQiKKEbPWJleqze"},{"type":"paragraph","children":[{"type":"text","text":"1、鋼筆","id":""}],"text":"","id":"doxcnyaCk2M6ME8eGaSyV44e6Jc"},{"type":"paragraph","children":[{"type":"text","text":"鋼筆的地位在硬筆練字中處于不可撼動(dòng)的地位，較強(qiáng)表現(xiàn)力可以反映出毛筆的效果。關(guān)于練習(xí)鋼筆的選擇，我們可以遵從以下原則：","id":""}],"text":"","id":"doxcnsG6Ye4omiYEAOs7UZGKLvh"},{"type":"paragraph","children":[{"type":"text","text":"（1）不使用美工筆。美工筆不利于穩(wěn)定練習(xí)；","id":""}],"text":"","id":"doxcnS2asmUM8Oc0umYs2RnCLXf"},{"type":"paragraph","children":[{"type":"text","text":"（2）不使用寫起來(lái)不適的鋼筆。比如出現(xiàn)堵筆、洇墨、摩阻過(guò)大等問(wèn)題；","id":""}],"text":"","id":"doxcnwcSUoiKOMOAwolSDNeSgqg"},{"type":"paragraph","children":[{"type":"text","text":"（3）不使用過(guò)貴的鋼筆。在成本練字的過(guò)程相對(duì)耗筆，盡量做到成本控制，貴的筆對(duì)練字本身沒(méi)有太實(shí)質(zhì)性的幫助。","id":""}],"text":"","id":"doxcnYWSoWCMyIac2wXg8H0vTNc"},{"type":"image","attrs":{"height":800,"note":[{"type":"text","text":"選筆","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/143c124cd04042ea8e2dd086dadce517","width":800},"text":"","id":"doxcnOimsEeYcU8IUycD6KwzYRc"},{"type":"paragraph","children":[{"type":"text","text":"中性筆","id":""}],"text":"","id":"doxcnAIOqO4UKUsKiiWblbtqV0b"},{"type":"paragraph","children":[{"type":"text","text":"中性筆有穩(wěn)定、表現(xiàn)力強(qiáng)、便宜、便捷、書寫舒適等優(yōu)點(diǎn)，是一種相對(duì)完美的筆。不止在此次行楷練習(xí)試驗(yàn)中，日常生活中，大多數(shù)人更愿意使用0.5中性筆。","id":""}],"text":"","id":"doxcn8y80ucmkMEo6Yz690kipzd"},{"type":"paragraph","children":[{"type":"text","text":"中性筆的挑選可以遵從如下原則：","id":""}],"text":"","id":"doxcnguKWaAyGiU82m24DES6LJd"},{"type":"paragraph","children":[{"type":"text","text":"（1）書寫流度。筆觸順骨，筆畫飽滿，墨色均勻；","id":""}],"text":"","id":"doxcn6OAiAKuiw0QKML7J6o8XXf"},{"type":"paragraph","children":[{"type":"text","text":"（2）握筆舒適度。長(zhǎng)時(shí)間書寫不會(huì)有過(guò)于明顯累手、壓迫感；","id":""}],"text":"","id":"doxcnCMYeAmYkKcOUUrxYq3Fise"},{"type":"paragraph","children":[{"type":"text","text":"（3）墨干燥速度。書寫時(shí)不會(huì)被譜黑就行。","id":""}],"text":"","id":"doxcnmIu0Qi2uKKokktaSU61gZb"},{"type":"image","attrs":{"height":292,"note":[{"type":"text","text":"選筆","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/ee9abf52df3142ed8665577f90f381e6","width":387},"text":"","id":"doxcnOOQGKEUeqI8k6lAdfDViic"},{"type":"paragraph","children":[{"type":"text","text":"3、其他筆","id":""}],"text":"","id":"doxcnkicWAAEOqkAOKA627mdwqd"},{"type":"paragraph","children":[{"type":"text","text":"除了鋼筆和中性筆，其他筆類都可以進(jìn)行練字。種類繁多，最為常見(jiàn)的有鉛筆，圓珠筆等。不一定局限于某種筆。","id":""}],"text":"","id":"doxcn0ccAiu6KEUGc6M6v7YNFyg"},{"type":"image","attrs":{"height":250,"note":[{"type":"text","text":"選筆","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/b9668d13228a408d98ce10dd0a8b874c","width":250},"text":"","id":"doxcnIegGkuSKW6c6wBzbOOPyRb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"字帖","id":""}],"text":"","id":"doxcniEOyUqOQMmWQslzECcIJRf"},{"type":"paragraph","children":[{"type":"text","text":"分類","id":""}],"text":"","id":"doxcnqWSUaMQmYO0kAf24i8PFTc"},{"type":"paragraph","children":[{"type":"text","text":"字帖大體可分為三類：（1）筆畫結(jié)構(gòu)詳解類（2）集字類（3）語(yǔ)錄文章類。初學(xué)者可以購(gòu)入三類字帖分別一本，有一定基礎(chǔ)者可以購(gòu)入后兩類字帖各一本，基礎(chǔ)扎實(shí)者可購(gòu)最后一類字帖。行楷定型試驗(yàn)于2019年6月10日啟動(dòng)，2019年10月24日初步定型，所用字帖為荊霄鵬的《實(shí)用行楷字帖》（圖1)、《林徽因語(yǔ)錄行楷》（圖2)?！秾?shí)用行楷字帖》屬于集字類，《林徽因語(yǔ)錄行楷》屬于語(yǔ)錄文章類。","id":""}],"text":"","id":"doxcnSmkI4QYAAcE8kz0fC7TfKe"},{"type":"image","attrs":{"height":317,"note":[{"type":"text","text":"字帖","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/365b0cf1b3844a10a47844acbbdcef35","width":235},"text":"","id":"doxcnKOqYYIE8owM6GIVhk2ea3e"},{"type":"paragraph","children":[{"type":"text","text":"圖1","id":""}],"text":"","id":"doxcn42scOaQC6SGCE3OExmp20g"},{"type":"image","attrs":{"height":320,"note":[{"type":"text","text":"字帖","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/b702530ab255456e99171f65f0130fec","width":247},"text":"","id":"doxcnsumocemYQSk6yoqAhf6Adc"},{"type":"paragraph","children":[{"type":"text","text":"圖2","id":""}],"text":"","id":"doxcnce6CcqocmQocA7Zw4FETee"},{"type":"paragraph","children":[{"type":"text","text":"推薦字帖","id":""}],"text":"","id":"doxcngEOIQQM0OwgagFMW09R8td"},{"type":"paragraph","children":[{"type":"text","text":"當(dāng)代有大量?jī)?yōu)秀行楷字帖，比如吳玉生、田英章、錢沛云等人的行（楷）字帖。","id":""}],"text":"","id":"doxcnuo6u84MkgeoQS0nh3cTNhh"},{"type":"paragraph","children":[{"type":"text","text":"昊玉生的行楷字站：《怎樣寫好寫快規(guī)范字》《公務(wù)員漢字書寫5500字》、《古文觀止》、《硬筆行書紅樓夢(mèng)詩(shī)詞》等。","id":""}],"text":"","id":"doxcnUyY28seoq2m08jMdTLPxkb"},{"type":"paragraph","children":[{"type":"text","text":"田英章的行（楷）字帖：《鋼筆行書實(shí)用技法字帖》、《漂亮字的快寫技巧（行書）》、《現(xiàn)代漢語(yǔ)常用3500字（行書）》等。","id":""}],"text":"","id":"doxcnQSMqau4qCoMm2XxlNGJJyb"},{"type":"paragraph","children":[{"type":"text","text":"錢沛云的行（楷）字帖：《錢沛云硬筆書法技巧》《錢市云教你寫好硬筆行書》等。","id":""}],"text":"","id":"doxcnqy4Y2iKkqcOUMXXyjbwRkc"},{"type":"paragraph","children":[{"type":"text","text":"對(duì)于字站的選擇需要根據(jù)自己的喜好，但是也要避雷。","id":""}],"text":"","id":"doxcn0CS4AYcuOkW4qIygeJROZb"},{"type":"paragraph","children":[{"type":"text","text":"選擇字帖三不選：不選折凹槽類字帖；不選手寫體類字帖；不選大幅度描紅類字帖。","id":""}],"text":"","id":"doxcngE80Gokgqkao6zWC2vsfsd"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"紙","id":""}],"text":"","id":"doxcnQ0gAgC4M6kaQ0owxeYyZoe"},{"type":"paragraph","children":[{"type":"text","text":"練習(xí)紙種類繁多，常見(jiàn)的有回宮格、米字格、田字格、空白格、橫線格、豎線格等等，練習(xí)紙的選擇也需依據(jù)自己的基礎(chǔ)，初學(xué)盡量選擇輔助線多的回宮格、米字格等，隨著階段的變化，練習(xí)紙也應(yīng)該有所改變以減少輔助，達(dá)到科學(xué)練習(xí)的目的。按時(shí)間順序，不止使用了米字格紙、田字格紙、空白格紙、橫線紙、豎線紙、白紙。","id":""}],"text":"","id":"doxcnCqSommKokAMWXsjLxZ3xLe"},{"type":"paragraph","children":[{"type":"text","text":"重點(diǎn)：從脫離米字格到白紙，練字整個(gè)過(guò)程都貫穿著田字格紙的鞏固練習(xí)，不屬于完全轉(zhuǎn)換狀態(tài)。","id":""}],"text":"","id":"doxcn4OAM2WWoY4YOyYiYNBddyc"},{"type":"paragraph","children":[{"type":"text","text":"另外，有以下幾個(gè)點(diǎn)可以注意：","id":""}],"text":"","id":"doxcnoAMw6gCwuOeeiSIj3962rg"},{"type":"paragraph","children":[{"type":"text","text":"（1）當(dāng)沒(méi)有問(wèn)題的筆墨寫在紙上產(chǎn)生洇墨、阻力大等類問(wèn)題，建議換紙。","id":""}],"text":"","id":"doxcnCey64Ue0CCyUGstIqsePWc"},{"type":"paragraph","children":[{"type":"text","text":"（2）不要使用線格過(guò)小的紙，選擇寫起來(lái)有種自然舒適狀態(tài)的紙。","id":""}],"text":"","id":"doxcn0Mei0Mi22YGOgvnvvFwmqd"},{"type":"paragraph","children":[{"type":"text","text":"（3）不要刻意追求“好”紙，硬筆行楷的練習(xí)對(duì)紙的要求較低。","id":""}],"text":"","id":"doxcneCgECqqU08WuGr3c4sImyT"},{"type":"image","attrs":{"height":1185,"note":[{"type":"text","text":"紙","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/bcd041337a694ecb8a11c3ce054340b9","width":790},"text":"","id":"doxcngMeGwYSmIwUUa0uTFIdCoh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"練字內(nèi)容","id":""}],"text":"","id":"doxcnyMuA00AusuW8AnUVouKs0f"},{"type":"paragraph","children":[{"type":"text","text":"從欣賞一幅書法作品的角度，至少會(huì)從章法、結(jié)構(gòu)、筆畫（劃）三方面進(jìn)行解讀，這三方面即是要練字的內(nèi)容。","id":""}],"text":"","id":"doxcn4uW6WqcQQUws0SXcSdnWrg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"章法","id":""}],"text":"","id":"doxcnu0IiMSkSoICs0ivuP8j0Ad"},{"type":"paragraph","children":[{"type":"text","text":"章法是安排布置整幅作品中，字與字、行與行之間呼應(yīng)、照顧等關(guān)系的方法，它著重于字與字之間、行與行之間的協(xié)調(diào)。章法包含著字形大小、字距遠(yuǎn)近、字態(tài)正奇、黑白分布、落款鈴印等，利用這些手段可以使眾多單字在特定的風(fēng)格下形成一種和諧穩(wěn)定美觀又不失趣味的作品。","id":""}],"text":"","id":"doxcnsusugEusaIo8MvXg33O1nd"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"結(jié)構(gòu)","id":""}],"text":"","id":"doxcnkwY2Cok0I4kKa6vEwygEJd"},{"type":"paragraph","children":[{"type":"text","text":"結(jié)構(gòu)是字內(nèi)各筆畫長(zhǎng)短、粗細(xì)、疏密、布局等。漢字從結(jié)構(gòu)上分有獨(dú)體字與合體字兩大類。從結(jié)構(gòu)形式看，合體字分為七種，即上下結(jié)構(gòu)、上中下結(jié)構(gòu)、左右結(jié)構(gòu)、左中右結(jié)構(gòu)、半包圍結(jié)構(gòu)、全包圍結(jié)構(gòu)和品字形結(jié)構(gòu)，巧妙地組織筆畫讓筆畫布局合理，傳達(dá)的視覺(jué)效果越好。","id":""}],"text":"","id":"doxcnssuKaGa0MoAsuAwL2Ii3nh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"筆畫（劃）","id":""}],"text":"","id":"doxcneeOGiAiIIeW0IKQDaEEH5I"},{"type":"paragraph","children":[{"type":"text","text":"永字反映出了“點(diǎn)、橫、豎、撇、捺、提、折、鉤”八個(gè)基本筆畫。筆尖與紙面接觸的痕跡，反映出筆畫力度、角度、粗細(xì)、曲直等。筆畫作為練字的起點(diǎn)，是最基礎(chǔ)也是最核心的，務(wù)必加倍重視。","id":""}],"text":"","id":"doxcniAmUuyA0CaaswvbgJ0S7Ch"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"練字方式","id":""}],"text":"","id":"doxcnYKCygkWcIKGKUPHW5pSzxf"},{"type":"paragraph","children":[{"type":"text","text":"臨摹字帖是當(dāng)下練字最有效的途徑，但是部分人在臨摹之前往往忽略了一個(gè)前提：讀帖。將練字方法分解為三個(gè)部分：讀帖、摹寫、臨寫。","id":""}],"text":"","id":"doxcnO0UMscWAuQkIe5yqi2MeT9"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"讀帖","id":""}],"text":"","id":"doxcnGAAk82w28KUOIRlF1S8QLh"},{"type":"paragraph","children":[{"type":"text","text":"讀帖需要分析字帖范字的筆畫、結(jié)構(gòu)、章法。讀帖是一個(gè)發(fā)揮主觀能動(dòng)性的過(guò)程，初步練習(xí)時(shí)應(yīng)更多的注重筆畫的長(zhǎng)短、粗細(xì)、徐疾、輕重，筆畫之間的俯仰、向背、離合、呼應(yīng)，字的大小、方圓、高矮、寬窄等等。仔細(xì)領(lǐng)會(huì)字帖的點(diǎn)畫形質(zhì)、間架結(jié)構(gòu)、氣韻神采，才能下筆準(zhǔn)確。對(duì)同一字帖而言，應(yīng)從其點(diǎn)畫開始，觀察其起筆、行筆、收筆如何完成以及同一類筆畫之間的細(xì)小差別等，再到觀察毎個(gè)字的間架結(jié)構(gòu)、位置布局和章法，最后則是體味字站的氣韻神采、風(fēng)格特點(diǎn)，為準(zhǔn)確地臨寫做好準(zhǔn)備。對(duì)不同字帖而言，就比如不止選擇的兩本字帖，往往起到一個(gè)相輔相成的作用，為了解一個(gè)字體作好充分的準(zhǔn)備。經(jīng)過(guò)觀察，不止使用的行楷字帖，不像古帖變化較多，容易學(xué)習(xí)，方便掌握。","id":""}],"text":"","id":"doxcn6mgYAAAQOMywycRkaO2uCf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"摹寫","id":""}],"text":"","id":"doxcn6gYSEGaCkcOkiUDVAvGzle"},{"type":"paragraph","children":[{"type":"text","text":"市面上流通的大多數(shù)摹寫字帖采用透明度較高的硫酸紙覆蓋在字帖上，按照影子描寫（或者貓紅）。當(dāng)你開始使用摹寫時(shí)前也要詳細(xì)的讀帖，做到心中有數(shù)。摹寫過(guò)程中，盡量與原帖的用筆一致，單字書寫一氣呵成，不可存在?筆填筆等問(wèn)題。摹寫有利有弊，不止認(rèn)為摹寫存在降低主觀能動(dòng)性的嫌疑，故整個(gè)練字試驗(yàn)過(guò)程都沒(méi)有使用摹寫。","id":""}],"text":"","id":"doxcncqAyo4S6CCSaYTmdDAzshe"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"臨寫","id":""}],"text":"","id":"doxcn6iM4OiYag0WcQD61VKxzDd"},{"type":"paragraph","children":[{"type":"text","text":"臨寫根據(jù)要求的不同可分為對(duì)臨、背臨和意臨。","id":""}],"text":"","id":"doxcnygOUcU2IMMCIs1Ye474JJd"},{"type":"paragraph","children":[{"type":"text","text":"1、對(duì)臨","id":""}],"text":"","id":"doxcni62qGqSGoUMUYNDoHeenTw"},{"type":"paragraph","children":[{"type":"text","text":"可將字帖置于視角左側(cè)或前端，便于準(zhǔn)確觀察。隨著練字形式的多樣化，對(duì)臨時(shí)關(guān)于字帖的擺放只要適用于自己即可，可通過(guò)裁剪字帖放大觀察范圍，不必拘泥形式?；谧x帖，寫完后再將自己寫的與字帖仔細(xì)對(duì)照分析，找到不足做出標(biāo)記，再次臨寫，循環(huán)練習(xí)直到與字帖的字高度相以。臨寫時(shí)不可看一筆寫一筆。","id":""}],"text":"","id":"doxcncyUQQaEEiUwKsF3SWiJp0e"},{"type":"paragraph","children":[{"type":"text","text":"2、背臨","id":""}],"text":"","id":"doxcnA2S06sa2kckwDN9brm2NLc"},{"type":"paragraph","children":[{"type":"text","text":"在讀帖，摹寫，對(duì)臨這些過(guò)程中，應(yīng)當(dāng)有所思索、有所比較、有所記憶，將字帖熟記于心，合帖臨寫，通過(guò)背臨這種方式來(lái)檢驗(yàn)自己是否熟練，這種方式就好比背語(yǔ)文課文，作為一種檢查手段的同時(shí)，也是在鞏固字體的練習(xí)，以形成記憶模式，達(dá)到一種出筆即像的境界。有部分練習(xí)者對(duì)照字帖能寫得很好，一旦離開字站，不管是字形還是結(jié)構(gòu)都降了層次，這就是因?yàn)闆](méi)有使用好背臨這一招。學(xué)習(xí)一個(gè)字體最后目的就是要將帖上字化為已用，想要到達(dá)這一目的，背臨是必經(jīng)的過(guò)程。背臨還有兩種形式：空背臨和心背臨。由于這兩種方式不存在使用工具、時(shí)間、環(huán)境等的要求，完全可以利用碎片時(shí)間進(jìn)行練習(xí)與鞏固?？毡撑R可用手指、木棍等工具在空中、地上或身上，通過(guò)記憶比照字帖寫。心背臨即在心里描摹字帖，在腦中再現(xiàn)每一筆每一畫，這種方式適合睡覺(jué)前時(shí)用。","id":""}],"text":"","i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3、筆畫省略。如即、動(dòng)、蜂、齡、它等字的點(diǎn)、小豎、短撇等次要筆畫，為了不妨礙連筆，就省略掉了，雖然省略了，但是仍易于辨認(rèn)。","id":""}],"text":"","id":"doxcnOYy6OeoucYkqYfm5oVPIeg"},{"type":"paragraph","children":[{"type":"text","text":"4、筆畫替代。如風(fēng)、喜、基、具、常、王、能、可等字，這寫字大都采取了描摹輪廓的方式來(lái)寫，用象形筆法勾勒出來(lái)，由于約定俗成，已被大家所接受。","id":""}],"text":"","id":"doxcniYscSugg4ga4kJKzB7wtCb"},{"type":"paragraph","children":[{"type":"text","text":"要練好行楷，關(guān)鍵要仔細(xì)觀察字的行筆路線，注意上下銜接，突出主要筆畫，減少對(duì)筆畫的修飾，盡量一氣呵成，使字渾然一體。由于書寫點(diǎn)畫簡(jiǎn)略，隨意自然，行楷給人們以輕松愉快的感覺(jué)。","id":""}],"text":"","id":"doxcnGCQCeMou2CkAyyiNa3Bstg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"書寫特點(diǎn)","id":""}],"text":"","id":"doxcnE4o0MYkUE0UmWeKpQb4cxg"},{"type":"paragraph","children":[{"type":"text","text":"行楷的書寫特點(diǎn)是連、變、省，其筆畫比正楷字的筆畫自由，用筆方法也有許多變化。下面我們逐一介紹行楷的基本筆畫。","id":""}],"text":"","id":"doxcng2aqCSqMucQ6GriKynPoIc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的點(diǎn)畫","id":""}],"text":"","id":"doxcnA0C64w46QSqsstlt7yH0yg"},{"type":"paragraph","children":[{"type":"text","text":"行楷畫卷頭尖、腹平、背圓、尾滿，前后顧盼。點(diǎn)畫都與字的中心呼應(yīng)。下面是行楷字點(diǎn)畫的主要寫法：","id":""}],"text":"","id":"doxcnGIEQKUwOsoeM8sP960iQHb"},{"type":"image","attrs":{"height":571,"note":[{"type":"text","text":"行楷的點(diǎn)畫","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/c7cd854fd45e4de899fe8863de596e9b","width":450},"text":"","id":"doxcncYgsUyM4sSS66mhva0NHhB"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的橫畫","id":""}],"text":"","id":"doxcnKYyC4eEYoIkKPxkgIr9ixK"},{"type":"paragraph","children":[{"type":"text","text":"行楷字橫畫多數(shù)帶鉤，與前后筆畫呼應(yīng)或者連接，有長(zhǎng)短、精細(xì)、俯仰等變化，如果數(shù)橫并列，要有長(zhǎng)短參差，筆勢(shì)也要有區(qū)別。橫畫在字中往往起平衡作用，因此書寫時(shí)要注意長(zhǎng)短、角度和曲弧。","id":""}],"text":"","id":"doxcngaCsoG2GAoQwukjtCX0n69"},{"type":"image","attrs":{"height":355,"note":[{"type":"text","text":"行楷的橫畫","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/f5deb7f3e889460583b771ccb2bd1748","width":537},"text":"","id":"doxcn8UuYcU88As6k4KiNBFM5Pc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的豎畫","id":""}],"text":"","id":"doxcnUQ8Kmyc4S0G0qOuxQZlEme"},{"type":"paragraph","children":[{"type":"text","text":"行楷字寫豎畫不宜太直硬，要適當(dāng)取斜勢(shì)或彎曲，收筆有懸針，有垂露，有帶鉤，有彎弧，但必須把力用到筆端，切忌軟散。字中的長(zhǎng)豎作適當(dāng)夸張。","id":""}],"text":"","id":"doxcnIsACQSQmYUmE8jtVztVsRf"},{"type":"image","attrs":{"height":592,"note":[{"type":"text","text":"行楷的豎畫","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/4ebe6c6e082e402290371396cd7a13d5","width":590},"text":"","id":"doxcnuE8UyyK64ME6moE7zHbUlf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的撇畫","id":""}],"text":"","id":"doxcnyCeWYWmogs4Kqgp8hCMKvd"},{"type":"paragraph","children":[{"type":"text","text":"行楷字的撇有多種姿態(tài)，要注意長(zhǎng)短、曲直的變化，書寫時(shí)常?；劁h，做到伸縮有度，與捺相配時(shí)要有變化，不能呆板。","id":""}],"text":"","id":"doxcnI6SMqOyMs8SMGqegxzJXld"},{"type":"image","attrs":{"height":545,"note":[{"type":"text","text":"行楷的撇畫","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/44e54987821142888f501960daa7e3b5","width":640},"text":"","id":"doxcnwKQKEG66I4qI0Ia4oXvH3c"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的捺畫","id":""}],"text":"","id":"doxcnmcaosE8KQAIwmEE9pflz0g"},{"type":"paragraph","children":[{"type":"text","text":"捺多用在字的右部或者右下角的末筆，有時(shí)寫成反捺或長(zhǎng)點(diǎn)出鋒，但要注意帶曲，回鋒的方向要有變化。","id":""}],"text":"","id":"doxcnqQMqOIEkuOiUeKfhqJ8rVT"},{"type":"image","attrs":{"height":659,"note":[{"type":"text","text":"行楷的捺畫","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/631e14ee1c724642961a834cbfc47eba","width":640},"text":"","id":"doxcnUOe46mkCgIoICQmdDa8Rrc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的提畫","id":""}],"text":"","id":"doxcn2CUkIkSq6YUaYdnIpKqHwd"},{"type":"paragraph","children":[{"type":"text","text":"提又稱挑，常在左右結(jié)構(gòu)字左旁的末筆，與右半邊聯(lián)系。寫提筆要快而有勁 ","id":""}],"text":"","id":"doxcn4MK8QuaAOYm40WLzS0TJie"},{"type":"image","attrs":{"height":439,"note":[{"type":"text","text":"行楷的提畫","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/1ba0891e62d549ff937195b34bf9e80f","width":640},"text":"","id":"doxcncCkuYouk6ssmsT06ZDxoSc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"行楷的折畫","id":""}],"text":"","id":"doxcno8eOy0ks4EQqIljp7jUr0d"},{"type":"paragraph","children":[{"type":"text","text":"行楷字的折畫有圓有方，圓轉(zhuǎn)多于方折，圓度要潤(rùn)，方折要頓。","id":""}],"text":"","id":"doxcnGmy4CU0MgcoSUVQHAqYB2g"},{"type":"image","attrs":{"height":423,"note":[{"type":"text","text":"行楷的折畫","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/8711dc90e7e642dd95cf0e67a20bae36","width":640},"text":"","id":"doxcnWY2wyEWWQkKQMztqVyBQch"},{"type":"paragraph","children":[{"type":"text","text":"行楷的鉤畫","id":""}],"text":"","id":"doxcnMwMi8eu2s8S06UT3SKzm9F"},{"type":"paragraph","children":[{"type":"text","text":"行楷字的鉤畫多變并適度夸張。有些字本來(lái)沒(méi)有鉤，可以加鉤起連帶作用，但要生動(dòng)求變，飽滿有勁，切忌軟弱、尖細(xì)。","id":""}],"text":"","id":"doxcnwswImyS0Oae46NA7C35mlb"},{"type":"image","attrs":{"height":779,"note":[{"type":"text","text":"行楷的折畫","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/776ce9e7ba5b460383868d7eb282e824","width":640},"text":"","id":"doxcnG4Wy24uac42aYRHOKhrDEf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"書寫關(guān)鍵","id":""}],"text":"","id":"doxcn6o86MmeMUcmkkHLBcIqxCc"},{"type":"paragraph","children":[{"type":"text","text":"八面出鋒","id":""}],"text":"","id":"doxcngoI2owY4EG8qINNFHuTY6f"},{"type":"paragraph","children":[{"type":"text","text":"借助于八面出鋒，自然顯出墨色濃淡，濕中有干，干中有濕，濃中有淡，淡中有濃，變化千萬(wàn)，使作品富有節(jié)奏感。","id":""}],"text":"","id":"doxcnMi6CSowM8wIuYzm00qxlDh"},{"type":"paragraph","children":[{"type":"text","text":"剛?cè)嵯酀?jì)","id":""}],"text":"","id":"doxcnCKG0SSqAMiiUG2RJNSagMo"},{"type":"paragraph","children":[{"type":"text","text":"剛力—","id":""},{"type":"text","text":"鐵劃銀鉤(粗)：柔力—","id":""},{"type":"text","text":"行云流水(細(xì))。","id":""}],"text":"","id":"doxcnS0AyiWK04co8UJir8F7Tkc"},{"type":"paragraph","children":[{"type":"text","text":"惜墨如金","id":""}],"text":"","id":"doxcnU22cm6iiwWIUgtSXfFRqed"},{"type":"paragraph","children":[{"type":"text","text":"要求蘸一次墨寫一個(gè)字，甚至數(shù)字。","id":""}],"text":"","id":"doxcnaSwgo86II24yiOONHJDHNh"},{"type":"paragraph","children":[{"type":"text","text":"豁然開朗","id":""}],"text":"","id":"doxcnmygKyu8gAiQ6OplD7osqVp"},{"type":"paragraph","children":[{"type":"text","text":"留白處有寬有窄，寬處給人以忽然開朗之感。藝術(shù)是制造矛盾，到解決矛盾的過(guò)程。","id":""}],"text":"","id":"doxcnQG04OK2ke0U0gN2BO9SEhf"},{"type":"paragraph","children":[{"type":"text","text":"中側(cè)并用","id":""}],"text":"","id":"doxcnEsOk8Kq6uaoieE67PtMfad"},{"type":"paragraph","children":[{"type":"text","text":"中鋒得法立骨，側(cè)鋒得勢(shì)求變。中鋒是理性的要求，是書法審美的","id":""},{"type":"text","text":"核心所在；","id":""},{"type":"text","text":"側(cè)鋒是情性的化身，是書法通神的手段。","id":""}],"text":"","id":"doxcnGYscu8skYuWMnl6PLQWXcM"},{"type":"paragraph","children":[{"type":"text","text":"深思熟慮","id":""}],"text":"","id":"doxcngQI8EcImyUakEyabawOXpb"},{"type":"paragraph","children":[{"type":"text","text":"創(chuàng)作前要深思熟慮，反復(fù)推敲，做到“胸有成竹”。","id":""}],"text":"","id":"doxcnQ4mKQIMo68siohfwOjuh5a"},{"type":"paragraph","children":[{"type":"text","text":"一氣呵成","id":""}],"text":"","id":"doxcncmGoe46o6aOGYrkbQGiTJb"},{"type":"paragraph","children":[{"type":"text","text":"書法是感情的流露，不是技巧的表現(xiàn)，要在身體與心情皆好的狀態(tài)下寫字。書寫時(shí)隨意揮灑，一氣呵成。","id":""}],"text":"","id":"doxcnA4SeYSQgyyEc2B0GHS46Le"},{"type":"paragraph","children":[{"type":"text","text":"錯(cuò)落有致","id":""}],"text":"","id":"doxcnO0yIwmIsgGwYGEvjjQ0Bxh"},{"type":"paragraph","children":[{"type":"text","text":"一般情況下，作品的行距要寬，字距要緊。字忌并列，要錯(cuò)開。節(jié)數(shù)間有空隙，排列組合要有節(jié)奏，大小字參差，突出中間書眼。","id":""}],"text":"","id":"doxcnIgs6IawSuwA8e6o12XYVkg"},{"type":"paragraph","children":[{"type":"text","text":"筆情墨趣","id":""}],"text":"","id":"doxcnOoi2iO4OCGWGwHrtxBjXhb"},{"type":"paragraph","children":[{"type":"text","text":"書法是無(wú)聲的音樂(lè)，無(wú)形的舞蹈。求變化中有呼應(yīng)，使整體和諧，有強(qiáng)烈的節(jié)奏和視覺(jué)沖擊力。用好拙筆，用筆略慢，動(dòng)中有靜，寫出墨趣。","id":""}],"text":"","id":"doxcnaAGSyYusYGaA0YK4jiARyf"},{"type":"paragraph","children":[{"type":"text","text":"重視貫氣","id":""}],"text":"","id":"doxcngUwWOeuwYI0wOoZ4Dee31c"},{"type":"paragraph","children":[{"type":"text","text":"書法的氣，是指點(diǎn)劃與不同字之間的呼應(yīng)，字與字之間的趨向。","id":""}],"text":"","id":"doxcnaAAmUk0uIGQYmKljTaPVSd"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"書寫方法","id":""}],"text":"","id":"doxcnwm44O4Q6GY8CuarhxCvxeg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"讀帖","id":""}],"text":"","id":"doxcnMKmOesQEoQmUUPRMutQo4c"},{"type":"paragraph","children":[{"type":"text","text":"要練眼，即認(rèn)真讀帖。讀帖是基礎(chǔ)，要仔細(xì)觀察字在方格中的高低位置、筆畫的連貫映帶、疏密和長(zhǎng)短等，眼高是手高的前提，對(duì)字形要善于觀察、分析和比較，大致相同的字合成一類，舉一反三，達(dá)到事半功倍的效果。","id":""}],"text":"","id":"doxcnmUisQUE2w4M8VEjN2dz4D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